Last Updated on November 6, 2024 by Erin Donahue
Light painting photography is a sub-genre of long exposure techniques where photographers use an off-camera light source such as a flashlight, fiber optic, or even the flash on a cellphone to draw or alter an image. This adds an external element that helps elevate an image to truly make it unique, dare I say, artsy!
My first ever experience with light painting was in 2019 when I went to Abisko, Sweden in the Lapland region to chase after the Northern Lights. I was unfamiliar with the area and I didn’t want to take any chances missing the Northern Lights so I signed up for a photography tour. Since it was a dark sky zone there was no ambient light to illuminate the ground, so in order to match the foreground with the sky, light needed to be shined on it. Otherwise, we would have had to keep the shutter open for like 10 minutes just to get enough light in. Ain’t nobody got time for that! The instructor there showed me how to shine a flashlight briefly on a subject while the shutter of the camera was open. In this case, to get the foreground to be brighter, “paint” it with a bit of light.
A more nuanced definition of light painting photography is using an artificial light source to create streaks of light through dark spaces while the shutter is open. This can be done either indoors or outdoors. The creative possibilities are endless, and it’s super exciting to see what the camera captures once you get the hang of it! Since then, I’ve been able to experiment in different ways, and my most viral videos are always around light painting photography!
Anytime you’re dealing with long-exposure photography you’ll need most of the equipment listed below in order to have full control over what you’re trying to create.
There are 3 basic Light Painting Photography Techniques: The On Camera Light Source, The Off Camera Light Source, and Kinetic Light Painting.
Let’s keep this concise, shooting in manual mode is a must, and do yourself a favor and shoot in RAW. If you’re still shooing in JPEG it’s time to cut that ish out and level up! Having complete control over all aspects of your image is crucial since there’s going to be a lot of trial and error. Editing in post-process plays a key role in bringing out the best final result. I don’t like to give exact settings anymore because it’s heavily dependent on your environment. I linked another video below of how I sat in the exact same spot, but at different settings. Variables such as ambient light, distance, and focal length all determine how to adjust your exposure.
Technically, yes. However, it sucks. Camera phones don’t have the native ability to keep the shutter open for long periods (yet), so getting an additional app is a must. I tested out the slow shutter cam app and hated it LOL. The light was overexposed even when I tried to adjust the settings, and overall I just didn’t feel like I had any control with a phone. Of course, I also made a video using the phone too, but that final picture is from my camera. Usually, I’m more than happy to share the results, but for fear of getting shafted on social media, I couldn’t bring myself to show the actual picture taken from the phone.
To keep up to date with everything I share, follow along on my social media and read up on what camera gear I use when I photograph long exposure techniques like light painting.
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